The Problem Body

Projecting Disability on Film

Edited by Sally Chivers and Nicole Markotić

 

4/27/2010
Performing Arts/Film/History & Criticism
239 pp. 6x9



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Table of Contents

 

“[Y]ou could not get a better introduction to the investigation of representations of disability in cinema.” —Senses of Cinema

In The Problem Body, editors Sally Chivers and Nicole Markotić bring together the work of eleven of the best disability scholars from the U.S., the U.K., Canada, and South Korea to explore a new approach to the study of film by concentrating on cinematic representations of what they term “the problem body.” The book is a much-needed exploration of the projection of disability on film combined with a much-needed rethinking of hierarchies of difference. The editors turned to the existing corpus of disability theory with its impressive insights about the social and cultural mediation of disabled bodies. They then sought, from scholars at every stage of their careers, new ideas about how disabled bodies coexist with a range of other bodies (gendered, queered, racialized, classed, etc.).

To call into question why certain bodies invite the label “problem” more frequently than other bodies, the contributors draw on scholarship from feminist, race, queer, cultural studies, disability, and film studies arenas. In Chivers and Markotić’s introduction, they draw on disability theory and a range of cinematic examples to explain the term “problem body” in relation to its projection. In explorations of film noir, illness narratives, classical Hollywood film, and French film, the essays reveal the “problem body” as a multiplication of lived circumstances constructed both physically and socially.

Sally Chivers is Professor of English at Trent University. Nicole Markotić is Professor of English at the University of Windsor.