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Immanence and Transcendence

The Theater of Jean Rotrou (1609–1650)

Robert J. Nelson

Front Matter
Table of Contents
Preface
Acknowledgments
Introduction: Routou’s Theater: “Dieu Caché, Dieu Visible”
1. Immanence and Transcendence in Le Veritable Saint Genest
2. The Temptation to Total Immanence
3. The Temptation to Total Transcendence
4. Nostalgia for Immanence
5. Last Things . . . First Things . . .
Appendices
Notes
Bibliography
Index
Back Matter

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