Nineteenth-Century Women, Law, and Literature
Literary Criticism/European/English; Law/Legal History
238 pp. 6x9
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The Association for the Study of Law, Culture and the Humanities
The Feminism and Legal Theory Project
Interdisciplinary Nineteenth-Century Studies
18th- and 19th-Century British Women Writers Association
“An unprecedented number of legal reforms in 19th century England improved women’s lives, reforms in such crucial areas as child custody, divorce, married women’s property rights, reproductive rights, domestic abuse, and lunacy laws. In her important book, In Contempt: Nineteenth-Century Women, Law, and Literature, Kristin Kalsem focuses on the role of women writers in effecting these legal reforms, writers whose works she terms ‘outlaw’ texts because they were outside the law. These works—essays, novels, autobiographies—were not official legal documents, yet they dealt with legal issues affecting women, and, Kalsem argues, were influential in changing the laws. . . . In Contempt is a valuable book, well researched and detailed in its discussion of the literature and legal issues involving women.” —Wordsworth Circle
“Kristin Kalsem’s In Contempt makes a significant contribution to scholarship on the history of feminist jurisprudence. She covers thorny legal issues including married women’s property, infanticide, and lunacy law, as well as birth control, imperialism, and women’s admission to the bar. In her afterword she urges scholars to engage the ‘new evidence’ she has brought to light—and I have no doubt that this evidence will be welcomed enthusiastically.” —Christine L. Krueger, professor of English, Marquette University
In Contempt: Nineteenth-Century Women, Law, and Literature, by Kristin Kalsem, explores the legal advocacy performed by nineteenth-century women writers in publications of nonfiction and fiction, as well as in real-life courtrooms and in the legal forum provided by the novel form.
The nineteenth century was a period of unprecedented reform in laws affecting married women’s property, child support and custody, lunacy, divorce, birth control, domestic violence, and women in the legal profession. Women’s contributions to these changes in the law, however, have been largely ignored because their work, stories, and perspectives are not recorded in authoritative legal texts; rather, evidence of their arguments and views are recorded in writings of a different kind. This book examines lesser-known works of nonfiction and fiction by legal reformers such as Annie Besant and Georgina Weldon and novelists such as Frances Trollope, Jane Hume Clapperton, George Paston, and Florence Dixie.
In Contempt brings to light new connections between Victorian law and literature, not only with its analysis of many “lost” novels but also with its new legal readings of old ones such as Emily Brontë’s Wuthering Heights (1847), George Eliot’s Adam Bede (1859), Lewis Carroll’s Alice’s Adventures in Wonderland (1865), Rider Haggard’s She (1887), and Thomas Hardy’s Jude the Obscure (1895). This study reexamines the cultural and political roles of the novel in light of “new evidence” that many nineteenth-century novels were “lawless”—showing contempt for, rather than policing, the law.
(website) received her J.D. from the
University of Chicago Law School and her Ph.D. in English from the University of Iowa. She is professor of law and co-director of the Center for
Race, Gender, and Social Justice at the University of Cincinnati College of Law.