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“The Bones of Garbo is by turns playful and haunting, magical and real. Trudy Lewis has an amazing talent for turning a detail until the commonplace becomes extraordinary and the strange becomes familiar. They fix us with a penetrating light, and what we see are the shadow lives we lead. For this reason alone, The Bones of Garbo is necessary reading. Trudy Lewis is a wise and wonderful writer, and her stories are unforgettable.”—Lee Martin, The Ohio State University
The Bones of Garbo rattles skeletons in the house of fiction. These stories revel in sexual experiment and linguistic play. Lewis finds her subjects on the wrong side of the sheets and the tracks, in marginal neighborhoods where characters confront the cost of motherhood, the mystery of desire and the pain of invasion, the meaning of race and tribe. Ultimately, these seekers reach connection by way of confrontation. In “Waiting Period,” a couple creates their own commitment ritual when they go together to take an AIDS test; in “Goddess Love,” a young woman struggles with an otherworldly attraction toward her pagan roommate; in “All Hallow’s Leaves,” an African American teenager meets his demons in a fundamentalist haunted house. Lewis is relentless but compassionate, and her fiction mixes bitter herbs and honey on the tongue. In the title story, “Bones of Garbo,” a teenage girl aspiring to be an actress and undergoing her first role as an ingénue, treats the reader to the life and loves of Greta Garbo as her own “coming of age” story unfolds.
“From the “Marijuana Tree” to “Evacuation Route,” these stories are luminous and fanciful, but also grounded in the all-too-real wounds and dramas that make up our regular come and go. The book brims with smart arresting observation.
Trudy Lewis’s fiction has appeared in The Atlantic Monthly, Prairie
Schooner, Five Points, Witness, and The New England Review. Her first
novel, Private Correspondences, won the William Goyen Prize for Fiction
and was published by TriQuarterly Books/Northwestern University Press. She is associate professor of creative writing and women studies at the
University of Missouri–Columbia.
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|The Ohio State University Prize in Short Fiction|