Drawing the Line: Comics Studies and INKS, 1994–1997 collects some of the most important essays from INKS: Cartoon and Comic Art Studies, the first peer-reviewed scholarly journal devoted exclusively to comics studies. The volume, edited by Lucy Shelton Caswell, the journal’s founding editor, and Jared Gardner, editor of the new Inks: The Journal of the Comics Studies Society, celebrates this foundational moment in the fast-growing field of comics studies and also serves as a call to contemporary scholars to revisit the roads-not-taken mapped out by these scholars and cartoonist critics.
Included in the volume are essays by pioneering comics scholars on newspaper comic strips, Japanese manga, Chinese lianhuanhua, comic books, graphic novels, and editorial cartoons, alongside writings and artwork by celebrated cartoonists such as Will Eisner, Oliver Harrington, Charles Schulz, and Frank Stack. This volume serves as an invaluable resource for anyone interested in the history and study of the comics form, visual culture, or the history of journalism.
Lucy Shelton Caswell is Professor Emerita and founding curator of The Ohio State University Billy Ireland Cartoon Library and Museum.
Jared Gardner is Professor in the Department of English and the film studies program, specializing in American literature, film, and popular culture. He is also the editor of Inks: The Journal of the Comics Studies Society.
Contents
List of Illustrations
Preface
Acknowledgments
Introduction
Essays
Comics and the New Literacy: An Essay
WILL EISNER
View from the Back Stairs
OLIVER HARRINGTON
Lyonel Feininger: A Kinder, Gentler Comic Strip
ALAN FRIED
Was Krazy Kat Black?: The Racial Identity of George Herriman
M. THOMAS INGE
Litigation and Early Comic Strips: The Lawsuits of Outcault, Dirks, and Fisher
MARK D. WINCHESTER
Crusading for World Peace: Ding Darling, Woodrow Wilson, and the League of Nations
RICHARD SAMUEL WEST
Picture Stories: Eric Drooker and the Tradition of Woodcut Novels
DAVID BERONÄ
The Captain and the Comics: A Capsule HIstory of the Medium in its Fourth and Fifth Decades
ROBERT C. HARVEY
The “Monumental” Lincoln as an American Cartoon Convention
ROGER A. FISCHER
Easy-Going Daddy, Kaptayn Barbell, and Unmad: American Influences Upon Asian Comics
JOHN A. LENT
Literature in Line: Picture Stories in the People’s Republic of China
JULIA F. ANDREWS
Drawing the Lind: An Absolute Defense for Political Cartoons
CHRISTOPHER LAMB
Black is the Color of my Comic Book Character: An Examination of Ethnic Stereotypes
CHRISTIAN DAVENPORT
Heartbreak Soup: The Interdependence of Theme and Form
CHARLES HATFIELD
Emanata
Percival Chubb and the League for the Improvement of the Children’s Comic Supplement
AMY KISTE NYBERG
Women and Children First
TRINA ROBBINS
Boy Can He Draw
MARK J. COHEN
Book Reviews
Understanding Comics by Scott McCloud
REVIEWED BY JOSEPH WITEK
Adult Comics: An Introduction by Roger Sabin
REVIEWED BY FRANK STACK
The Art of the Funnies: An Aesthetic History by Robert C. Harvey
REVIEWED BY IAN GORDON
100 Years of American Newspaper Comics edited by Maurice Horn
REVIEWED BY ROBERT C. HARVEY
List of Contributors
Index
Related Titles:
The Humours of Parliament
Harry Furniss’s View of Late-Victorian Political Culture
Edited and with an Introduction by Gareth Cordery and Joseph S. Meisel
PAPER