“This important book will become the standard edition of this particular manuscript and will attract a readership from fields such as Classics, Celtic Studies, literature, linguistics, and book history.” —Helen Fulton, University of Bristol, UK
Reading Ovid in Medieval Wales provides the first complete edition and discussion of the earliest surviving fragment of Ovid’s Ars amatoria, or The Art of Love, which derives from ninth-century Wales; the manuscript, which is preserved in Oxford, is heavily glossed mainly in Latin but also in Old Welsh. This study, by Classical and Celtic scholar Paul Russell, discusses the significance of the manuscript for classical studies and how it was absorbed into the classical Ovidian tradition. This volume’s main focus, however, is on the glossing and commentary and what these can teach us about the pedagogical approaches to Ovid’s text in medieval Europe and Britain and, more specifically, in Wales.
Russell argues that this annotated version of the Ars amatoria arose out of the teaching traditions of the Carolingian world and that the annotation, as we have it, was the product of a cumulative process of glossing and commenting on the text. He then surveys other glossed Ovid manuscripts to demonstrate how that accumulation was built up. Russell also explores the fascinating issue of why Ovid’s love poetry should be used to teach Latin verse in monastic contexts. Finally, he discusses the connection between this manuscript and the numerous references to Ovid in later Welsh poetry, suggesting that the Ovidian references should perhaps be taken to refer to love poetry more generically.
Paul Russell is Professor of Celtic in the Department of Anglo-Saxon, Norse, and Celtic at the University of Cambridge.
Contents
List of Illustrations
List of Manuscript Sigla
List of Abbreviations
Acknowledgments
1 - Introduction
The Ovidian Commentary Tradition
The Brittonic Glossing Tradition
Oxford, Bodleian Library, Auctarium F. 4. 32
2 - Ovid, Ars amatoria, Book I
Previous Scholarship
THE MAIN TEXT OF ARS AMATORIA
THE WELSH GLOSSING
Oxford, Bodleian Library MS, Auct. F. 4. 32, fols. 37r-47r: The Main Text
FACSIMILE IMAGES
PAGE LAYOUT
COLLATION
SCRIBES
DECORATION
Oxford, Bodleian Library MS, Auct. F. 4. 32, fols. 37r-47r: The Glosses and Marginal Annotations
THE NATURE OF THE GLOSSING
(a) The Glossing of Latin Verse
(b) Construe Marks
(c) The Order of Glossing
(d) Latin Glosses and Comment
(e) Old Welsh Glosses
(f) Glosses of Uncertain Origin
(g) On Misunderstanding Ovid
(h) Evidence for an Irish Element in the Glossing
Conclusion
3 - The Learned Context: Other Glossed Manuscripts of Ovid’s Ars amatoria I
Introduction
The Glossed Manuscripts of Ovid, Ars amatoria I
ST GALL, STIFTSBIBLIOTHEK, 821 (SA)
LONDON, BRITISH LIBRARY, ADDITIONAL 14086 (A)
BERN, BURGERBIBLIOTHEK 478 (B)
PARIS BN LATIN 15155 (EXCERPTS) (P2)
OXFORD, BODLEIAN LIBRARY, CANON, CLASS. 1 (S.C. 18582) (OB)
OXFORD, BODLEIAN LIBRARY, RAWLINSON Q.D. 19 (S.C. 16044) (O)
LONDON, BRITISH LIBRARY, ADDITIONAL 49369 (OLIM HOLKHAM 322) (H)
PERPIGNAN, MÉDIATHÈQUE, 19 (OLIM BIBLIOTHÈQUE MUNICIPALE, 10) (W)
OXFORD, BODLEIAN LIBRARY, CANON. CLASS. 18 (S.C. 18599) (OG)
Significant Parallel Glosses
Glosses Which Can Help in Understanding O
Conclusions
4 - Ovid Ars amatoria I: Edition
5 - Notes to the Edition
Old Welsh Orthography
VOWELS
CONSONANTS
Notes
6 - Postscript: The Later Life of Ovid in Medieval Wales
Introduction
Ofydd:Poet, Love Poet, and Love Poetry
THE CYWYDDWYR AND OFYDD
Knowledge of Classical Texts in Medieval Wales, 900–1400
SURVIVING BOOKS AND MONASTIC CATALOGUES
INTERTEXTUAL KNOWLEDGE OF CLASSICAL TEXTS IN MEDIEVAL WALES
EDUCATION IN MEDIEVAL WALES
PRELIMINARY CONCLUSIONS
Fferyll, Dwned, and Arguments by Analogy
FFERYLL(T) “VIRGIL”
DWNED “DONATUS”
Conclusion
Appendices
1. OFYDD
2. FFERYLL(T)
3. DWNED
Bibliography
Editions of Ovid Consulted
Other Primary Texts
Secondary Literature
Indices
Index of Glosses in Textual Order
Alphabetical Index of Glosses
Index of Manuscripts Cited
General Index
Related Titles:
Antiquarian Voices
The Roman Academy and the Commentary on Ovid’s Fasti
Angela Fritsen
HARDCOVER, PAPER
The Community of St. Cuthbert in the Late Tenth Century
The Chester-Le-Street Additions to Durham Cathedral Library A.IV.19
Karen Louise Jolly
HARDCOVER
Classroom Commentaries
Teaching the Poetria Nova across Medieval and Renaissance Europe
Marjorie Currie Woods
HARDCOVER
Renaissance Postscripts
Responding to Ovid’s Heroides in Sixteenth-Century France
Paul White
HARDCOVER