Untimely Women

“Untimely Women offers a mode of analysis that allows us to understand and investigate the stories and rhetorical strategies of more women, particularly women whose feminism has gone unrecognized. The analysis is creative, the insights are compelling, and the cases are interesting....this book will intrigue graduate students and researchers interested in feminism, history, and film.” —Tiffany Lewis, Journal for the History of Rhetoric

”[Untimely Women] contributes to a wide array of disciplines: rhetoric studies in both communication and composition, media theory, critical/cultural and women’s/feminist/gender studies, as well as critical methods and feminist historiographies, cinematic history, and the history of editing and publishing houses...Graduate students and scholars in these areas will find rich detail in the case studies that bring to life the historiographical method Barrett-Fox introduces.“ —Theresa Russell-Loretz, Southern Communication Journal

“Barrett-Fox’s scholarship is impressively interdisciplinary, and his medio-materialist historiography will be of great interest to feminist rhetorical scholars eager to move past the limiting practice of recovering discrete individuals, and to move past recovery more generally.” —Sarah Hallenbeck, author of Claiming the Bicycle: Women, Rhetoric, and Technology in Nineteenth-Century America

Untimely Women recovers the work of three early-twentieth-century working women, none of whom history has understood as feminists or rhetors: cinema icon and memoirist, Mae West; silent film screenwriter and novelist, Anita Loos; and journalist and mega-publisher, Marcet Haldeman-Julius. While contemporary scholarship tends to highlight and recover women who most resemble academic feminists in their uses of propositional rhetoric, Jason Barrett-Fox uses what he terms a medio-materialist historiography to emphasize the different kinds of political and ontological gender-power that emerged from the inscriptional strategies these women employed to navigate and critique male gatekeepers––from movie stars to directors to editors to abusive husbands. 

In recasting the work of West, Loos, and Haldeman-Julius in this way, Barrett-Fox reveals the material and ontological ramifications of their forms of invention, particularly their ability to tell trauma in ways that reach beyond their time to raise the consciousness of audiences unavailable to them in their lifetimes. Untimely Women thus accomplishes important historical and rhetorical work that not only brings together feminist historiography, rhetorical materialism, and posthumanism but also redefines what counts as feminist rhetoric.

Jason Barrett-Fox is Associate Professor of English and Director of Composition at Weber State University.

Contents

Introduction    Future Pasts: Women, Rhetoric, Out of Time
Chapter 1        From Oblivion to Eloquence: Repopulating and Refiguring Feminist Rhetorical History
Chapter 2        Reinventing the Rules: Anita Loos’s Diffractive Historiography
Chapter 3        Following the Forces: Mae West’s Transductive Historiography
Chapter 4        Reassembling the Socialist: Marcet Haldeman-Julius’s Metonymic-Archival Historiography
C onclusion     No More Untellable Stories: Some Prospects for Medio-Materialist Historiography
Works Cited
Index