The Feeling of Letting Die: Necroeconomics and Victorian Fiction by Jennifer MacLure, featuring a bouquet of dead roses hanging upside down above the book's title.

The Feeling of Letting Die

Necroeconomics and Victorian Fiction

Jennifer MacLure

200 pp. 6 x 9
Pub Date: November, 2023

Subjects: Victorian Studies
Literary Studies, 19th-Century
Literary Studies, British & Irish

Order Hardcover $69.95   ISBN: 978-0-8142-1485-5
Order PDF ebook$49.95   ISBN: 978-0-8142-8316-5

Listen to Jennifer MacLure interviewed on the Deerfield Public Library Podcast

“With The Feeling of Letting Die, Jennifer MacLure makes an important contribution to the study and investigation of a topic of a wide epistemic scope. … this is a very well organised monograph that delves, with critical intelligence and methodological consistency, into the economic effects of change–effects that are usually overlooked in Victorian studies.” —Michela Marroni, RSV (Rivista di Studi Vittoriani)

“In our pandemic present, when marketized states have determined that the premature death of millions is the price of doing business, this book couldn’t be more relevant. MacLure’s analysis of biopolitics highlights the role of affect in capitalism’s cultural history to explain the acceptance (and promotion) of preventable death.” —Emily Steinlight, author of Populating the Novel: Literary Form and the Politics of Surplus Life

“Intelligent, well-researched, and situated in the wake of essential critical works of the last decade, The Feeling of Letting Die leaves us with the generally unacknowledged but eminently believable conclusion that the Victorians were as Malthusian as Scrooge before his transformation.” —Audrey Jaffe, author of The Affective Life of the Average Man: The Victorian Novel and the Stock-Market Graph

In The Feeling of Letting Die, Jennifer MacLure explores how Victorian novels depict the feelings that both fuel and are produced by an economic system that lets some people die in service of the free market. MacLure argues that Victorian authors present capitalism’s death function as a sticking point, a series of contradictions, and a problem to solve as characters grapple with systems that allow, demand, and cause the deaths of their less fortunate fellows.

 Utilizing Achille Mbembe’s theorization of necropolitics, MacLure uses the term “necroeconomics,” positioning Victorian authors—even those who were deeply committed to liberal capitalism—as hyperaware of capitalism’s death function. Examining both canonical and lesser-known works by Elizabeth Gaskell, Harriet Martineau, Charles Dickens, William Morris, and George Eliot, The Feeling of Letting Die shows capitalism as not straightforwardly imposed via economic policy but instead as a system functioning through the emotions and desires of the human beings who enact it. In doing so, MacLure reveals how emotion functions as both the legitimating epistemic mode of capitalism and its most salient threat.

Jennifer MacLure is Assistant Professor of English at Kent State University.




Introduction    Death by Invisible Hand

Chapter 1        How to Let Die: Malthusian Medicine in Martineau and Marcus

Chapter 2        Pathoeconomics and the Radical Potential of Feeling in Gaskell’s Industrial Novels

Chapter 3        Letting Die Slowly: Necroeconomic Pleasure in Dickens’s Bleak House

Chapter 4        Unfeeling Capitalism, Future and Past: Middlemarch, Felix Holt, and News from Nowhere


Afterword       Our Necroeconomic Present

Works Cited


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