Book Cover

Apocalypse, Darling

Barrie Jean Borich

5.5 x 8.5, 120 pgs.
1 illustration

EXPECTED Pub Date: January, 2018

Subjects: Nonfiction

Series: Machete

Imprint: Mad Creek Books

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“Few writers today can equal Barrie Jean Borich in channeling the unspoken languages of our culture, whether it’s a family wedding overseen by headless but eloquent plastic torsos, or the Gothic beauty of a landscape ‘capped by the granulated blue of a mill-punctured sky,’ or wedding guests like the author and her spouse, who remake themselves in the new cities of ‘the country of women.’ This narrative lyric uses its gorgeous lyricism to show us how, physically and psychically, every moment is a new country, each quietly burning with its own apocalypse. —Susanne Paola Antonetta, author of Body Toxic and Make Me a Mother

Apocalypse, Darling shows Barrie Jean Borich at her jazz-riffing, literary canon-busting best. Here, lustrous literary forms born of post-industrial wastelands are the grounds for seeing and being seen, remembering and reinventing. Borich’s apocalyptic love song is more bracing, more beautiful, and more real than current dystopias will ever allow: a queer ecology of mind.” —Mary Cappello, author of Life Breaks In: A Mood Almanack

“On one hand Barrie Jean Borich’s remarkable Apocalypse, Darling mucks up the neat divide between reclamation and ruin, laying waste to the old binaries. On another it’s a hilarious, playful, and deeply absorbing inquiry into what it might mean to be an American right now. This is timely, dazzling work. — Paul Lisicky, author of The Narrow Door: A Memoir of Friendship

From award-winning author Barrie Jean Borich comes Apocalypse, Darling, a narrative, lyrical exploration of the clash between old and new. Set in the steel mill regions of Chicago and in Northwest Indiana, the story centers on Borich’s return to a decimated landscape for a misbegotten wedding in which her spouse’s father marries his high school sweetheart. The book is a lilting journey into an ill-fated moment, where families attempt to find communion in tense gathering spaces and across their most formative disappointments. Borich tells the story of the industrial heartland that produced the steel that made American cities—while also being one of the most toxic environmental sites in the world.

As concise as a poem and as sweeping as an epic novel, Apocalypse, Darling explores the intersection of American traditional and self-invented social identities and the destruction and regreening of industrial cityscapes. Borich asks: Can toxic landscapes actually be remediated, and can patriarchal fathers ever really be forgiven? In a political climate where Borich is forced to daily reenter the toxic wastelands she thought she’d long left behind, Apocalypse, Darling is an urgent collision of broken spaces, dysfunctional affections, and the reach toward familial and environmental repair. 

Barrie Jean Borich is the award-winning author of Body Geographic and My Lesbian Husband. She is an Associate Professor of creative writing and publishing at DePaul University in Chicago, where she edits Slag Glass City, a digital journal of the urban essay arts.


Part I: Mixing Memory with Desire

Wasteland Oasis, Indiana 2008
Byway, Skyway, Illinois/Indiana 2008
His Not Daughter, Minneapolis 1987
Trouble, Chicago 1985
Best Man, Indiana 2008
Pink Lady, Minneapolis 2008
Swede in Our Shower, Minneapolis 1995
What’s Present in Time Future I, Chicago 2015
Annihilation Pending, Minneapolis 1988
Visible Grace, Calumet, Illinois/Indiana 1950–present
Enter the Chapel, Indiana 2008

Part II: In Which Sad Light

The Cruelest Month, Post-Industrial North 2008
Dune-ality, Indiana 1977
The Apocalypse, Darling, Interior Landscapes 1959–
The Bee-U-Tee-Full Old Country, Indiana 2008
Women’s Work, North Suburban Chicago 1988
Swedish Italian, New Jersey/Michigan/Illinois 1960s
Don’t Ask Don’t Tell, Interstate 1980–2008
The Children’s Crimes, According to the Father, as Imagined by the Daughter-in-Law He Does Not Acknowledge, Minneapolis 2008
What’s Present in Time Future II, Chicago 2015
The Violet Hour, Indiana 2008

Part III: Nothing with Nothing

The We Who, Indiana 2008
Unreal City, Minneapolis 1987–Yesterday
Lilacs Out of a Dead Land, Indiana 2008
Laquearia, Indiana 2008
O City, City, Minneapolis 2007
BurningBurning, Illinois or Indiana Mill Country, 20th or 21st Century
The Tattoo Merchant, Inside an Inaccurate Indiana Fantasy 2008
The Golf Course Nuptials, as Imprecisely Recalled with Undisguised Bias, and without Approval from Her Spouse, by the Daughter-in-Law the Groom Has Not Acknowledged, Indiana 2008

Part IV: What the Water Said

Shantih, Indiana 2009

Part V: Fragments against Ruins

Post-Nuptial, Indiana Golf Course 2008
Post-Apocalypse, The Rain, Indiana 2008
Post-Mortem, Re-Migrations 2008
Post-Traumatic, These Fragments We Shore 2008
What’s Present in Time Future III, Chicago 2015
Post-Photographic, The Photographer’s Reformation 2008
Post-Industrial Dunes, Memory and Desire 1976 and Now

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