“Combining theoretical sophistication, interpretive acumen, and a broad range of narratological insights, Natalya Bekhta’s We-Narratives delivers a compelling account of narratives cast in the we-form.” —Marco Caracciolo
Natalya Bekhta’s We-Narratives: Collective Storytelling in Contemporary Fiction analyzes a storytelling form shaped by the pronoun “we,” probing the tensions between individuality and collectivity in more recent narratives in English. Despite a growing interest in collective characters and the we-form in narratology and beyond, narrative theory has not yet done justice to the plural voice in fiction. In fact, the formulation of a poetics of collective expression needs clear theoretical conventions and a reassessment of established concepts in order to approach plural voices and agents on their own terms. We-Narratives addresses this demand by distinguishing between indicative and performative uses of the first-person plural pronoun in fiction and by identifying formal and rhetorical possibilities of stories told by group narrators.
What does it mean for a multitude to speak as one? How can a truly collective narrative voice be achieved or lost? What are its aesthetic and political repercussions? In order to tackle these questions, Bekhta reads a range of contemporary novels and short stories by Jeffrey Eugenides, Joshua Ferris, Toby Litt, Zakes Mda, Joyce Carol Oates, and Julie Otsuka. She also focuses on narrative innovation by Margaret Atwood, William Faulkner, and Susan Sontag. These narratives feature group protagonists and narrators and therefore offer insight into collective narrative discourse and focalization, construction of communal knowledge and unreliability. We-narrative, taken as a distinct storytelling form, illuminates fiction’s expressive potential and nuances models of narrative analysis.
Natalya Bekhta is a postdoctoral research fellow at the Helsinki Collegium for Advanced Studies
Introduction Telling a Story in the Plural
Chapter 1 We-Narrative: The First-Person Plural Narrative Situation
Chapter 2 We-Discourses: The We-Pronoun and Its Indicative and Performative Uses in Fiction
Chapter 3 Plural Narrators: Collective Voices, Lyric Progression, and Direct Speech by Groups
Chapter 4 Plural Perspective: Group Ethos, Narrators-Voyeurs, and Diegetic Levels
Chapter 5 Collective Knowledge: Epistemological Possibilities of We-Narrators, Gossip, and Unreliability
Chapter 6 Us versus Them: Community Dynamics in We-Narratives
Making Conversation in Modernist Fiction
A Body of Individuals
The Paradox of Community in Contemporary Fiction