“Valint’s study is a valuable piece of scholarship for the study of multinarrative novels in the nineteenth century, and both Victorianists and narratologists can benefit from it. … Victorian multinarrative novels raised issues of community, collaboration, reliability, power dynamics, and more, and Valint’s book is an excellent study on how form shapes content.” —James Hamby, DIEGESIS
“Valint integrates narratological theory and terminology with a light touch, and writes with wit and elegance. … Critics have come close to the idea of collaboration between the dual narrators [of Bleak House] but Valint makes an incisive intervention into the debate by her clear framework, supported by close readings of text and image.” —Kathy Rees, Dickens Quarterly
“The book offers such a comprehensive and precise catalogue of narratological approaches to the idea of the narrator that even researchers with no interest in the Victorian novel would benefit from Valint's detailed negotiation of narrators, narration, and form.” —Tobias Wilson-Bates, Review 19
“The critical framework [Valint] develops in her monograph offers a productive approach to reading dis/ability, gender, privilege, and a host of other critical concerns in Victorian texts that have perhaps become overly familiar,” —Jack M. Downs, Victorian Periodicals Review
“Narrative Bonds makes the compelling case that the multi-narrator novel is a distinct animal … [It] also importantly turns our critical attention to the importance of forms besides omniscient narration, [offering] a disruptive counterpoint to omniscient narration’s encompassing vision.” —Shalyn Claggett, Nineteenth-Century Contexts
“This engaging study of Victorian multi-plot novels makes a compelling argument that, despite the seemingly distinct and potentially disjunctive narrative voices that tell a story, those perspectives cohere in a single worldview, one that points to the middle class’s acquisition of cultural and political power and the period’s gradual movement toward a more democratic state. Valint’s book will be welcomed not only by scholars of Victorian literature but also by those interested more broadly in narrative theory.” —Elizabeth Langland, author of Telling Tales: Gender and Narrative Form in Victorian Literature and Culture
While narrative fracturing, multiplicity, and experimentalism are commonly associated with modernist and postmodern texts, they have largely been understudied in Victorian literature. Narrative Bonds: Multiple Narrators in the Victorian Novel focuses on the centrality of these elements and addresses the proliferation of multiple narrators in Victorian novels. In Narrative Bonds, Alexandra Valint explores the ways in which the Victorian multinarrator form moves toward the unity of vision across characters and provides inclusivity in an era of expanding democratic rights and a growing middle class. Integrating narrative theory, gothic theory, and disability studies with analyses of works by Charles Dickens, Robert Louis Stevenson, Wilkie Collins, Emily Brontë, and Bram Stoker, this comprehensive and illuminating study illustrates the significance and impact of the multinarrator structure in Victorian novels.
Alexandra Valint is Associate Professor in the English Program at the University of Southern Mississippi at the University of Southern Mississippi.
Contents
Acknowledgments
Introduction Unity and Reliability in the Victorian Multinarrator Novel
Chapter 1 Epistles to Narratives to Monologues
Chapter 2 Depth and Surface: Back-and-Forth Narration and Embodiment in Bleak House
Chapter 3 The Quick Switch: The Child’s Resistance to Adulthood in Treasure Island
Chapter 4 Disability Aesthetics and Multinarration in Wilkie Collins’s The Woman in White, The Moonstone, and The Legacy of Cain
Chapter 5 The Permeable Frame: Gothic Collaboration in Wuthering Heights
Epilogue Returning and Nonreturning Multinarration in Dracula and The Beetle
Works Cited
Index
